NEWS RELEASE: Orbis Books, the publishing arm of the Maryknoll Fathers and Brothers, and Villanova University’s Center for Peace and Justice Education will host an event honoring the late Jesuit priest, poet, prophet and peace activist Daniel Berrigan on Sunday, June 9th, from 2 p.m. to 4 p.m. in the Driscoll Auditorium of Villanova University. The event is free and the public is invited.
James Carroll, former Catholic priest and award-winning author, will be the featured speaker at the event. Carroll, a fellow activist and former priest on the Catholic Left, was a close friend and spiritual brother of Father Berrigan.
The event will include the unveiling of a commissioned 4- by 5-foot oil portrait of Father Berrigan by renowned artist Ruane Manning and a book signing and talk by Jim Forest, author of At Play in the Lion’s Den, a memoir and biography of Father Berrigan, followed by a reception and entertainment by Hollis Payer on fiddle and Rob Curto on accordion. Continue Reading
NEWS RELEASE: Neumann University is hosting an exhibit of photographs by Robin Hiteshew. Entitled Beyond the Words: Portraits of Irish Writers, the free exhibition runs June 5th to June 23rd in the McNichol Art Gallery.
The opening reception, originally set for June 6, has been rescheduled for Tuesday, June 11, from 4-7 p.m.
Beyond the Words: Portraits of Irish Writers represents one of two long-term projects Hiteshew has worked on for more than 39 years. He first began taking photos of authors in 1969 and is still actively working to document the ongoing literary world. He has nearly one hundred authors represented in his collection of portraits, including Moya Cannon, Michael Longlay, Seamus Heaney and Ann Enright. The Donegal Association of Philadelphia sponsors the exhibit, which is funded in large part by an Irish Heritage grant through the Irish government’s Emigrant Assistance Programme. The aim of the grant is to connect with Irish citizens living in the United States. Continue Reading
Yes, there are kilts—in at least one case, obligatory. Sure, there’s ax throwing, bagpipes, a kilted fun run, and highland games. But Kilt Fest, coming to Bucks County June 7 and 8, is really a mishmash of all Celtic culture.
Kilt Fest on the Pennsylvania side of the Delaware is an offshoot of a festival by the same name held in New Jersey. This will be the first year here in the Philadelphia suburbs, at the Trifecta Sporting Club, 4666 East Bristol Road, Feasterville-Trevose.
“Ours is more of a Celtic festival. We have Irish and Scots,” says organizer Chris Beyer, owner of American Highlander Kilts. “A lot of it is Irish. It’s easier to get Irish involved in these things. We try to keep it where it’s a little more all-inclusive.” Continue Reading
The bearded face of Northern Irish poet Michael Longley stares out pensively from its frame in stark black and white. It is one of nearly 100 intimate portraits of Irish authors captured by Robin Hiteshew over almost 40 years, a project that blended Hiteshew’s profound love of literature and his passion for photography—a talent he has refined to crystalline perfection.
Fifty of these author portraits will be brought together in an exhibition, “Portraits of Irish Writers,” which debuts June 5 at Neumann University in Aston, Delaware County. Sponsored by the Donegal Association of Philadelphia and funded by an Irish Heritage grant through the Irish government’s Emigrant Assistance Programme, it is Hiteshew’s second major photographic project funded by the Irish government. The first was “The Face of Irish Music,” portraits of Irish musicians from elder statesmen like fiddler and composer Ed Reavy, Sr., to young fiddler Haley Richardson, presented at the Irish Consulate in New York City in February 2015. Continue Reading
Irish musician and folklorist Mick Moloney recalls a time when he was still living in Philadelphia, and L.A.H. O’Donnell, who had retired from EMI Records and lived in Chestnut Hill, contacted him with an intriguing offer: a vast trove of Irish-American sheet music.
“He was offering the collection for $3,000,” Moloney says. “Well, at the time, I didn’t have $300.”
Scholar that he was and is, Moloney looked about for another suitable home for the music, which hearkened back to the Tin Pan Alley days and a little before. No one, including the Smithsonian, had the budget. That was the last he heard of the music, although he never forgot about the offer.
Ten years later, when his circumstances had improved, he called O’Donnell again.
“I asked, ‘Is that collection still for sale?’ He said, ‘Mick, you’re one week too late. Someone just bought it.’” Continue Reading
Here’s a good reason to keep your night before Thanksgiving open.
On Wednesday, November 21, Irish Country mega-star Nathan Carter will be on stage at the Commodore Barry Arts & Cultural Center (The Irish Center). Take a look at this video, and you’ll see what all the fuss is about.
Tickets are currently available online here or by contacting the Irish Center at (215) 843-8051.
The Irish Center is at 6815 Emlen St., Philadelphia, PA, 19119, in the Mount Airy section of Philadelphia.
The 100th anniversary of the 1916 Easter Rising, which ultimately led to the liberation of Ireland after centuries of British rule—in all but six counties, of course—has been celebrated proudly in Philadelphia with parades and speeches. That historic event is about to be observed again in another way, through the words of Irish playwright Sean O’Casey—and through the eyes of the Dublin underclass.
From May 26 through June 11 at Plays and Players Theatre, the Irish Heritage Theatre is presenting O’Casey’s “The Plough and the Stars,” the final episode in O’Casey’s Dublin Trilogy. (Details and tickets here.)
IHT presented “The Shadow of a Gunman” two years ago, and “Juno and the Paycock” last year. It’s no accident that “The Plough and the Stars” is being presented in this, the centennial year. According to director Peggy Mecham, that was always part of the plan. The last two acts of the four-act play take place during the Rising, as experienced by Dublin tenement dwellers.
Mecham took a break during rehearsal to have a chat about O’Casey in general and “The Plough and Stars” in particular.