Irish musicians throughout the world are familiar with the music of Philadelphia’s Ed Reavy. That so many know his work is largely a tribute to his son, Joseph M. Reavy, 91, recipient of Mid-Atlantic Comhaltas Ceoltóirí Éireann’s Gradam Comaoine/Outstanding Contribution Award, conferred June 8 at the 2019 Mid-Atlantic Region’s Hall of Fame Banquet. It was Joe Reavy—a talented multi-instrumental musician in his own right—who collected and transcribed his father’s many tunes into a thick book of sheet music.
He is characteristically self-effacing when he talks about the project.
“I don’t want to put myself in the forefront,” he says. “This is my father’s music. I published it so people would know it. He had an unbelievable musical memory, but my father did not write out the music. Of course, I read music and so I did most of the work, unless it was very, very technical stuff, and then I would call on someone else to help with it. Musicians—especially among advocates and people who loved his music—welcomed this (compilation) because they could put it in front of other musicians who maybe didn’t know too much about Irish music. I spent two years’ time with my father; almost every week we worked on it.
“It was just wonderful working with him. I learned so much. Even though he didn’t know how to write out the music, he knew how to talk about music. He had the greatest memory for tunes.”Continue Reading
The 2019 Philadelphia Irish Festival at Penn’s Landing is history. A very good festival it was. With temperatures in the 80s and a nice breeze along the Delaware, it was picture-perfect most of the day.
Seamus McGroary, C.J. Mills and Joe Kirschen started playing just after noon, and the tunes flowed on into the afternoon, with the McLean Avenue Band of New York City and Philly band Jamison taking the stage later in the day, undaunted by occasionally threatening skies.
A good-sized crowd showed up to take in the tunes, buy Irish shirts and hats, slurp water ice, sip a brew, feast on funnel cake, or watch the Irish dancers. For the kids, there were balloon hats, face painting and a moon bounce. Continue Reading
People have been celebrating their Irish heritage by taking in The Philadelphia Irish Festival at Penns Landing for more than 20 years. That translates to thousands of Irish or those who just want to be Irish for the day. You can add to those impressive stats. The festival is coming up again on June 2. Best of all—it’s free.
Part of the PECO Multicultural Series, the festival offers a day of great Irish tunes, dance, food and drink, vendors, and plenty of activities for the kiddies.
“It’s a family-friendly event,” says organizer Michael Bradley. “It attracts everybody from newborns to people in their 90s. Everybody’s welcome. It’s a nice way to get your family out and to keep the Irish tradition alive, at a beautiful location along the river. It’s just a really neat place to be.”
Free admission means people who might be struggling financially can come out and enjoy the music, the vendors and all the rest. “It’s not a price-conscious thing,” Bradley says. “You don’t see free admission too much anymore.” Continue Reading
Yes, there are kilts—in at least one case, obligatory. Sure, there’s ax throwing, bagpipes, a kilted fun run, and highland games. But Kilt Fest, coming to Bucks County June 7 and 8, is really a mishmash of all Celtic culture.
Kilt Fest on the Pennsylvania side of the Delaware is an offshoot of a festival by the same name held in New Jersey. This will be the first year here in the Philadelphia suburbs, at the Trifecta Sporting Club, 4666 East Bristol Road, Feasterville-Trevose.
“Ours is more of a Celtic festival. We have Irish and Scots,” says organizer Chris Beyer, owner of American Highlander Kilts. “A lot of it is Irish. It’s easier to get Irish involved in these things. We try to keep it where it’s a little more all-inclusive.” Continue Reading
As Eamon Murray pointed out from the stage in the Ballroom at the Irish Center last night, a lot has changed in the 10 years since Beoga last played here. But the most important thing hasn’t changed: Murray, Liam Bradley, Niamh Dunne, Seán Óg Grahamand Damien McKee are still Beoga and still know how to bewitch their audience.
It’s a pretty mean feat to bring 200 people out to listen to trad music on a Thursday night in mid-May with less than a month’s notice, but that is exactly what went down at the concert brought to you by the Philadelphia Ceili Group and the Commodore Barry Arts and Cultural Center last night. Continue Reading
Non-stop music on three stages, dance, Irish and Celtic vendors, food and drink—it was all on display Saturday at Philly Fleadh 2019, held on the grounds at Pennsylvania Army National Guard Armory & Readiness Center in Northeast Philadelphia.
In a week during which rain seemed to be falling every day, the Fleadh’s organizers got lucky. It was bright and sunny, and the grounds had mostly dried out. People came with their lawn chairs and set up on the lawn to listen to tunes from such bands and performers such as Oakwyn, The Bogside Rogues, the John Byrne Band, Seamus and CJ, Ray Coleman.
We were there for a good part of the day and tried to capture some of the flavor of this big, exciting event.
The pictures are up top, and here’s a recording of the band Oakwyn playing “Come Out Ye Black and Tans.”
Editor’s note: All Irish Philly podcasts are now available on iTunes, Stitcher, TuneIn and Spotify.
Last Friday, the Philadelphia Ceili Group brought multi-instrumentalist and award-winning folk singer Jarlath Henderson to a very appreciative Delaware Valley audience (with some driving from as far away as Reading in rush hour traffic to attend). And with a crowd of nearly 50 people in attendance at the Fireside Room of the Commodore John Barry Arts & Cultural Center (AKA The Irish Center) in Mount Airy, the evening was one of brilliant tunes and songs, with Jarlath stunning on pipes (both uilleann and vocal) and accompanied by the talented Glasgow-born Innes Watson on guitar (one audience member was overheard exclaiming “He makes that guitar talk!”). To check out where you can see them perform as they continue their U.S. tour, and to order their CDs, check out Jarlath’s website.
This is just the kick-off to a number of upcoming concerts the Ceili Group is sponsoring, several as a co-production with the Irish Center. First up is next Thursday, May 16, when they bring Beoga to town. In case you haven’t heard, the self-described “new-wave trad” super-group recently shot into the stratosphere when they performed on two Ed Sheeran songs: “Galway Girl” and “Nancy Mulligan.”
Then, on Sunday, June 9, they will be presenting David Curley in concert. Dave is an incredibly talented multi-instrumentalist who plays guitar, mandolin, banjo and bodhran, sings and does some Irish dancing as well. He is part of the band RUNA, as well as being a member of SLIDE. Continue Reading
Back in the States for another tour, Irish country music phenom Nathan Carter has come a long way since his hit song, “Wagon Wheel.” He’s enormously popular—as witness his sold-out appearance at the Philadelphia Irish Center a few months ago.
As with so many artists, it was a bit of a slog to get to that first huge hit. Unlike many artists, he’s been able to remain popular and well in demand, adapting to changes in the music industry that might have cut short the careers of many others.
And he’s grateful for every moment he gets to play his music.
Carter is scheduled to appear Saturday, May 25, at Glenside’s historic Keswick Theater. He’ll be accompanied by Celtic Woman’s Chloe Agnew. It promises to be a great show. Tickets and info here. Better jump on it. Tickets are moving fast.