The 2019 Philadelphia Irish Festival at Penn’s Landing is history. A very good festival it was. With temperatures in the 80s and a nice breeze along the Delaware, it was picture-perfect most of the day.
Seamus McGroary, C.J. Mills and Joe Kirschen started playing just after noon, and the tunes flowed on into the afternoon, with the McLean Avenue Band of New York City and Philly band Jamison taking the stage later in the day, undaunted by occasionally threatening skies.
A good-sized crowd showed up to take in the tunes, buy Irish shirts and hats, slurp water ice, sip a brew, feast on funnel cake, or watch the Irish dancers. For the kids, there were balloon hats, face painting and a moon bounce.
As Eamon Murray pointed out from the stage in the Ballroom at the Irish Center last night, a lot has changed in the 10 years since Beoga last played here. But the most important thing hasn’t changed: Murray, Liam Bradley, Niamh Dunne, Seán Óg Graham and Damien McKee are still Beoga and still know how to bewitch their audience.
It’s a pretty mean feat to bring 200 people out to listen to trad music on a Thursday night in mid-May with less than a month’s notice, but that is exactly what went down at the concert brought to you by the Philadelphia Ceili Group and the Commodore Barry Arts and Cultural Center last night.
Non-stop music on three stages, dance, Irish and Celtic vendors, food and drink—it was all on display Saturday at Philly Fleadh 2019, held on the grounds at Pennsylvania Army National Guard Armory & Readiness Center in Northeast Philadelphia.
In a week during which rain seemed to be falling every day, the Fleadh’s organizers got lucky. It was bright and sunny, and the grounds had mostly dried out. People came with their lawn chairs and set up on the lawn to listen to tunes from such bands and performers such as Oakwyn, The Bogside Rogues, the John Byrne Band, Seamus and CJ, Ray Coleman.
We were there for a good part of the day and tried to capture some of the flavor of this big, exciting event.
The pictures are up top, and here’s a recording of the band Oakwyn playing “Come Out Ye Black and Tans.”
Editor’s note: All Irish Philly podcasts are now available on iTunes, Stitcher, TuneIn and Spotify.
Here’s our last and final batch of photos from the 2019 Philadelphia St. Patrick’s Day Parade, shot by freelance photographer Gwyneth MacArthur.
Freelance photographer Gwyneth MacArthur also joined us Sunday at the Philadelphia St. Patrick’s Day Parade. Here’s a batch of images she captured along the parade route. Thanks to Gwyneth!
It’s been a few years since we covered the Philadelphia St. Patrick’s Day Parade. I missed it. Aside from an opportunity to snag a lot of really fun photos, it’s also old home week, where I ran into old friends I might not have seen for a while. Missed them, too.
Without further ado … here are all the pictures I took. Hope you see yourself somewhere in the mix. Click on the arrows above.
On a recent Saturday morning, a brightly lighted, cavernous truck bay in the back of Cavan Construction in Aston is a hive of activity. About a half dozen men are clustered around an 18-wheel tractor-trailer, sawing, drilling and hammering, carefully crafting the Cavan Society float for the 2019 Philadelphia St. Patrick’s Day Parade. In this, they are able assisted by a curious boxer named Diesel. That is, if “help” means leaving paw prints all over freshly green-painted wooden planks.
We can tell you the theme. It’s the same as this year’s parade theme: “St. Patrick, Unite Us.” Beyond that, until Sunday, the day of the parade, it’s a big secret. Some of the wooden shapes hinted at the beginnings of a bridge, and there was a small house-shaped structure at the tail end. But that’s all you’re getting from us.
And it’s all you’re likely to get from Sean Smith, company project manager and superintendent, as well as the chief overseer of the float construction project.
The annual Easter Rising ceremony at Holy Cross Cemetery on April 3 took on special poignancy this year, which marks the 100th anniversary of the Dublin battle between Irish revolutionaries and British soldiers that played a pivotal role in the birth of the Irish Republic in 1922.
Members of the families of three prominent Irish freedom fighters who are buried in the Yeadon cemetery took part in the ceremonies, which included rifle salutes by the Pennslvania 69th Irish Volunteers re-enactors, speeches by Sinn Fein’s Sean Conlon, the Monaghan town councillor who spent part of his childhood in Delaware County; Judyann Gillespie McCarthy of the local 1916 Easter Rising Commemoration Committee, and Tyrone native and historian, Patsy Kelly.