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Dance, Food & Drink, People

A Holly, Jolly Christmas with The Rose of Tralee

Maria Walsh and Santa crack each other up.

Maria Walsh and Santa crack each other up.

When the Philadelphia Rose Centre was established in 2002, in order to give “young Irish American women from the Philadelphia region the chance to participate in one of Ireland’s most beloved traditions,” little did they know that in 2014 they would see one of their own become the International Rose. 

So this year’s Christmas party was an extra special holiday celebration. With Maria Walsh and Santa (who sometimes goes by the name Seamus Bonner) in attendance, the Saturday Club in Wayne was rocking the season’s spirit last Sunday. There was food, music provided by Karen Boyce McCollum and the Lads (Pat Close and Pat Kildea), dancing, face painting, crafts, raffles, Newbridge jewelry for sale by Kathleen Regan and just a whole lot of fun.

The Conaghan family—Tom, Mary and daughters Sarah, Mary and Karen Conaghan Race—are the driving force behind the phenomenal success of the Philadelphia Rose program, and are supported by a devoted committee (Margaret King, Beth Keeley and Elizabeth Spellman) and volunteers who work throughout the year to bring events and activities to the Rose community.

She’s already traveled all over the world as the 2014 Rose, but on Sunday, Maria belonged to Philadelphia. She posed for pictures, danced and made the room come alive. And as she thanked everyone for attending the party, especially those with young kids, she noted “If we didn’t have young rosebuds, petals, future escorts, we wouldn’t have a future. And it’s so important that parents and teachers and aunts and uncles and grandparents bring kids here. This is how the Irish have survived for so long—we always re-invest and keep the cycle sustainable and going.”

Go ahead and enjoy the photos from the day:

 

Watch the video created by Mary Conaghan:

To follow Maria’s journey as International Rose, follow her on the Maria Walsh 2014 International Rose of Tralee Facebook page

And for more information on the Philly Rose Centre, check out their website: Philadelphia Rose of Tralee

Dance

A Bit of Extracurricular Irish Dancing

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Irish dancers from colleges and universities from several states got a chance to strut their stuff Saturday at Villanova University as Nova’s Irish dance team hosted its annual intercollegiate festival. The field house, more often host to basketball games and other athletic events—and, yes, I’ll admit, I saw Cozy Morley there once—instead echoed to the sound of clattering hard shoes as all the teams staked out a patch of gym floor to practice.

A competition it was, yes, but for these dancers it was really more of a chance to get together and have a good time with each other. That they all just happened to share an interest in Irish dance was icing on the cake. Each team that competed was treated to uproarious applause from dancers from all the other teams.

One particular hit was the Villanova dancers’ clever take on music from The Lion King, complete with animal masks. Some dance teams went more traditional, but one of the most interesting things about the intercollegiate competition is that anyone could dance to anything. I’m not sure klezmer has made an appearance yet, but I wouldn’t be surprised if it did someday.

If you couldn’t be there, well, sorry we missed you, but here are some photos to tide you over ’til next year.

Dance, Music, People

Rambling House Night at the Philadelphia Ceili Group Festival

 

Sean Og Graham, Mickey and Niamh Dunne

Sean Og Graham, Mickey and Niamh Dunne

 

The Philadelphia Ceili Group Festival may have ended last week, but there are still musical riches from the event that need to be shared.

In Ireland, a Rambling House is a long-held tradition, an evening where people gather to share music, songs and stories in an atmosphere based on community and good cheer. The Irish Center here in Philly was the setting for just such an event on the second night of the Festival.

Hosted by Galway native Gabriel Donohue, whom we now claim as one of Philadelphia’s finest musicians, he brought his music and stories to the evening as well as introducing and joining in on the fun. The special guests of the evening were Niamh Dunne and Sean Og Graham, who are part of the super group Beoga, but have been touring recently as a duo, performing songs from Niamh’s solo album “Portraits.” And as an added bonus, Niamh’s father, Mickey Dunne, a talented Uillean pipe and whistle player, was along for the craic. The musical legacy of the Dunne Family is well-known in Ireland and includes the late Pecker Dunne.

Among the wealth of talent present for the evening were singer Briege Murphy who hails from County Armagh, Philadelphia’s Rosaleen McGill, Terry Kane and Ellen Tepper (who play together as the Jameson Sisters) and some outstanding younger musicians from Philadelphia: Uillean piper Keegan Loesel and fiddlers Alex Weir and Haley Richardson. Keegan, Alex and Haley recently returned from Sligo where they competed in the Fleadh Cheoil.  

So, if you were unlucky enough to have missed it, or if you were wise enough to have been present for the unforgettable evening and want to relive the experience, sit back and enjoy some of the videos from the Rambling House.

Dance, Music

Saturday Afternoon Fever

Grrrrrrrrrrr!

Grrrrrrrrrrr!

If you wanted to be Irish in Philadelphia, Saturday at the Philadelphia Ceili Group Festival was a total immersion experience.

If you are a musician or just plain love Irish music, you could tune up your fiddle and sit in, or take workshops in Irish singing or bodhran playing. You could listen to the young musicians of the Converse Trio Plus One (named after the famous sneakers), the Jameson Sisters, the great Philadelphia Ceili Band, and more.

If you love Irish dance, you could dance until the soles of your shoes wore off at the enthusiastic prompting of John Shields. The Cummins School dancers were on their feet off and on throughout the day.

For the kids there was plenty to do. You could get your face painted—tiger faces were big—or lay your little mitts on a stretchy balloon sword, make St. Brigid’s cross (the adults were in on that, too), or just use the entire wide-open Irish Center as your personal running track.

We’re running out of energy just talking about it. Better to just show you. Here are the pictures.

Dance, Music

Get Set for the Ceili Group Festival

Put on your dancing shoes.

Put on your dancing shoes.

Rosie McGill has been attending the Philadelphia Ceili Group Festival for 28 years.

She just turned 28 a few weeks ago.

Do the math.

She’s risen through the ranks of the Ceili Group, so to speak, doing all of the scut work, setting up stages, collecting garbage, being everybody’s runner.

McGill’s one of several dynamic people helping to run this year’s festival at the Philadelphia Irish Center. Probably the only thing that has changed is her definition of scut work.

“Me and the other committee members are working really hard to make sure nothing is forgotten. We have so many performers. I have to make sure our workshops start and end on time. I can never actually ‘attend’ the festival.”

There’s a pretty good chance she won’t see much of this year’s festival, either, the Ceili Group’s 40th. The festival begins Thursday at 8 p.m. with Singer’s Night, an assemblage of some of the finest singers of Irish music you’re ever going to hear, with the great Matt Ward serving as emcee. Local musicians will also perform to honor the memory of Frank Malley, longtime festival chairman.

Friday night is a Rambling House & Ceili Dance, also starting at 8 p.m., with Gabriel Donohue running the show as the evening begins. Look for special guests singer-fiddler Niamh Dunne and button accordion and guitar player Seán Óg Graham.

Later on, the McGillians & Friends Ceili Band take over, with Cass Tinney and John Shields as hosts.

Saturday is really big, with performances all day by so many groups it’s hard to keep track, including: The Converse Trio, a group of incredibly talented young people who came in third this year at the Fleadh Cheoil in Sligo; the Jameson Sisters; and Donegal sean-nós singer Doimnic Mac Giolla Bhríde. There are workshops all day, food and drink, and lots of activities.

That evening is the grand finale, featuring the critically acclaimed Sean Keane and His Band, and a marvelous group of young musicians, FullSet.

Landing FullSet was an important goal for the Ceili Group, and an online crowdfunding campaign made it possible—and the three-month campaign had an unexpected benefit.

“We really had an early start by booking Sean (Keane) around last year’s festival, and with getting FullSet in advance,” McGill says. “And I didn’t even mean to do it this way, but the crowdfunding campaign really promoted the festival way, way before people were thinking about it, back around March and April. Everybody came out of the woodwork to help us be more successful. Everybody donated for a different reason but they all came together to support us.”

All of which reinforces her belief that, after 40 years, the festival is still exactly the right thing to do. And she wouldn’t have it any other way. “It’s like my sister or my baby. I don’t know where I would be without it. It shaped my life.”

You can get all the details—and tickets—right here. http://www.philadelphiaceiligroup.org/2014pcgfestival/

Dance, Music

Ragas Meet Airs at The Irish Memorial

Indian dance at The Irish Memorial

Indian dance at The Irish Memorial

Until the first chords of Burning Bridget Cleary’s “Saucy Sailor” began over the loud speaker at The Irish Memoral on Penn’s Landing on Saturday, the idea of marrying an 6,000-year-old form of Indian dance called Bharatanatym with Irish music seemed, well, like a stretch.

But it wasn’t. The rhythms of the Celtic folk song harkened to the ancient beat of Indian music. Ragas, as it turns out, are a lot like airs.

Shaily Dadaila, founder of Usiloquoy Dance Designs, saw her dream of performing her beloved Indian ballet to Celtic and Indo-Celtic tunes when she and her troupe of dancers performed twice at The Irish Memorial on Saturday afternoon and evening. Her dance production, Ragas and Airs, is partially funded by the Pennsylvania Council on the Arts and is still in development. But there was enough choreography to present a half-hour’s worth of the graceful and evocative dance, which tells its stories not only through footwork, but with hand movements and facial gestures.

This wasn’t the first time that music from both traditions came together. The troupe also performed to 17th century music that was British and Irish in origin, but with Sanskrit lyrics, and to tunes by modern-day Irish jazz musician Ronan Guilfoyle who wrote them to combine both Irish and Indian traditional music.

After an early morning rain, the weather broke into sunshine and heat—but with a breeze that kept the audience cool—as the troupe performed on a rented stage in front of the 60-ton bronze sculpture depicting Irish fleeing the famine and arriving in America.

In an interview before the performances, Dadiala said the monument resonated with her the moment she saw it a few years ago, just after arriving in the US from India to begin a master’s program in pharmacy.

“You see all the people descending from the ships, all leaving home and missing it for the rest of their lives. I understood that,” she said. Read more of that interview here.

View our photos of the performance of “Ragas and Airs.”

Dance

A Championship Irish Dancer Comes Home

Ali Doughty with her World Irish Dance Championship trophy.

Ali Doughty with her World Irish Dance Championship trophy.

Ali Doughty discovered in April that, despite the old saying, sometimes the seventh time is the charm.

The 20-year-old University of Dayton student had qualified for six other World Irish Dance Championships before finally, in London, carrying home the big silver trophy as the number one Irish dancer in the world in the ladies 20-21 category.

As she stood in the ballroom with the other contestants and her mother at the Hilton London Metropole Hotel, she saw the results flash on the screen and was, she admits, “in shock.”

“I couldn’t believe it,” says Ali, who, when she’s not at college studying for a degree in exercise physiology, lives with her family—Dad Bill, mother Cassandra, and siblings Bill, Luke, John, and Mary Cate—in Havertown.

She probably shouldn’t have been surprised. Last year, when the Worlds were held in Boston, she came in second. The year before, in Belfast, she came in third. Despite the near misses, going into the competition she had only one goal: “Well, just try not to mess up,” she says, laughing. “There’s a lot of work going into it, trying to balance dance and school so there was a lot of time management involved. I just tried not to think about the pressure.”

On Sunday, along with her family, her dance friends and her personal trainer Angela Mohan, Ali was celebrated at a party at The Plough and the Stars in Philadelphia that was arranged by Mohan, who brought champagne bearing custom labels with Ali’s name (though the dancer wasn’t planning to have any) to sit on either side of the Worlds trophy, which Ali keeps for a year.

Ali started Irish dancing when she was eight. “My mom wanted me to explore my Irish heritage so she signed me up for dance lessons at McDade Cara School of Irish Dance [in Delaware County],” she says. She was hooked from the first hornpipe.

“I loved it. I love the music, I love the rhythm and all the people,” she says. “All my friends in the Irish dance world are great. Some of my closest friends are from Irish dance.”

Since she’s living in Dayton most of the year, she joined a dance school there, The Academy, where her instructors are Ed Searle and Byron Puttle. She continues to rely on Mohan for fitness training, even from afar. “She’s so great and so funny,” says Ali of the former coach of the national champion Mairead Farrells Ladies Gaelic Football Club of Philadelphia. “She never lets you get away with anything.”

Despite being a world traveler—Ali has also competed in Glasgow, Scotland, and Dublin—Ali says she doesn’t really get to see much of the cities she’s visited. “It’s usually so hectic that I might only have a day to look around. Usually I’m in the venue the whole time.”

She has spent non-dance time with her grandmother’s family in Dun Laoghaire, near Dublin, and actually spent two weeks with Ireland visiting with a friend’s family. “But we still had to practice Irish dancing while we were there so I don’t know if that counts,” she laughs.

View more photos from Ali’s party.

Dance

Summer Camp for Irish Dancers

Noreen Donohue McAleer offers a few pointers on toe pointing.

Noreen Donohue McAleer offers a few pointers on toe pointing.

When there were no jigs and reels playing, the Irish Center’s cavernous ballroom echoed with little girl giggles. Last week, the Cummins School dancers were having their summer camp—a lot of dancing, which also served last-minute cramming for the five Cummins dancers heading to the national championships in Montreal next week, and, for the littlest ones, crafts involving glue and glitter and tie-dyed socks. Oh, and ice cream sundaes, the only thing that brought dead silence to the room.

The Cummins School has been teaching kids to step dance in this ballroom for the last 12 years; a second class, mainly for the youngest, is held at the VFW post in Glenside.

“We’ve been so lucky,” says Frances Cummins Donohue, who runs the school with her daughter, Noreen Donohue McAleer. Donohue started dancing herself when she was an 11-year-old in Dublin and scored a second in the All-Irelands. “Dancing was my life and I loved it and when I came over here, I instilled that in my girls, Kerri and Noreen,” she says.

The Cummins students learn more than beats, cuts, lifts and sevens. “Because we’re in the Irish Center, we’re also exposing kids to the Irish culture,” says Donohue. “The bagpipers [The Emerald Society Pipe Band] are here on Wednesdays and they love that. Then John Shields is in here with his ceili dancers and they enjoy that too. This space is amazing. We’d miss it terrible, we really would.”

Donohue is talking about the current financial crisis facing the Irish Center, a combination of an increased tax burden brought on by Philadelphia’s citywide reassessment last year and kitchen upgrades required by the city’s board of health—expenses estimated to total $100,000 or more over the next two years.

Cummins dancers will be participating in a fundraiser on July 19 at Maloney’s Pub of Ardmore in an effort to save their home.

But this week, it was all fun and games—except for the extra dance instruction from Donohue, McAleer, and teachers Brittany Kelly and Theresa McElhill. We stopped by on Thursday and took some photos of the fun.